Below you can hear Philip Pullman narrating the opening lines of his version of Little Red Riding Hood and view an animated film which accompanies that tale...
The beautiful artwork for Little Red Riding Hood created by Matthew Young (Designer of Grimm Tales cover), and with paper sculptures by Cheong-ah Hwang
However Angela Carter, another of the VV's favourite authors, took quite a different approach when, back in 1979, she created her own retelling of tales which were published under the title of The Bloody Chamber.
An illustration from Bluebeard by the Victorian illustrator, Kate Greenaway
The Bloody Chamber is also a book in which women take on a new dominance, whereas in past interpretations they often played more passive ideals: little more than sexual objects that were to be owned or won by men. But then, Carter was a feminist whose vivid imagination unleashed a series of gothic tales in which her expressed intention was 'not to do versions...but to extract the latent content from the traditional stories.'
An engraving from the story of Bluebeard
Carter's stories are often deeply erotic and, unlike those which Philip Pullman retells, could never have been published in the Victorian era. The first, and also the longest tale, is the one that gives the collection its name. The Bloody Chamber bravely explores the darkness and violence of male desire which is then artfully infused with themes from the classic Bluebeard tale - a story that originally appeared in a collection by the Frenchman, Charles Perrault.
The VV tends to agree with Carter's American publishers who described the collection as being seriously 'adult' fairy tales. They are certainly not for the timid, rather those who are willing to let themselves drown in the sensual flow of Carter's prose - a wonderfully hypnotic and magical world of subversion and mystery.
For a related post: IONA AND PETER OPIE: THE CLASSIC FAIRY TALES