The story of four women who shared the lives of the Pre-Raphaelites
Kate Forsyth’s novel, Beauty in Thorns, is set in the Victorian era where, as its central theme, it explores The Sleeping
Beauty fairytale.
This fairytale has
long-inspired aspects of Forsyth's written work, and here the idea is reprised
within the artwork of Burne-Jones, the exquisite creation of which is strongly woven through
the novel’s plot.
Spanning fifty years and almost 500 pages, the
story explores the Pre-Raphaelites, concentrating most specifically on
four women the artists knew and loved, revealing how those women sought to find their own autonomy, or else submitted to the passive female roles expected then.
Lizzie Sidall, by Rosetti
Kate Forsyth gives an honest, sometimes
brutally exposing view of the life of Lizzie Siddal, the tragic muse and lover
of Dante Gabriel Rosetti, who longed to be an artist too, who was brave and
bold and passionate, despite the demons gnawing through the beauty of her fragile soul ~ as illustrated in
this poem by Rosetti’s sister, Christina ...
He feeds upon her face by day and night,
And she with true kind eyes looks back on him
Fair as the moon and joyful as the light:
Not wan with waiting, not with sorrow dim;
Not as she is, but was when hope shone bright;
Not as she is, but as she fills his dream.
Jane Morris, by Rosetti
We meet the stunning Jane, an Oxford slum
girl of fierce intelligence who married William Morris, the man who paid to have her
tutored in acceptable speech and manners, in music, and embroidery, so
as to elevate her in his world with the least embarrassment. What pain his wife's infidelity with a fellow artist must have caused, although she never left him,
eventually forced to chose between Rosetti (who as time went by was tortured by
insanity, due to his enduring guilt over poor Lizzie Siddal’s fate), and
devotion to her children.
Kate Forsyth also brings to life the
complex life of Georgie, the long-suffering wife of ‘Ned’ Burne-Jones, along
with that of Margaret, their daughter, and the muse who posed as the subject of
his greatest works: a monumental series inspired by The Sleeping Beauty tale ~ though rather than becoming enslaved for a hundred years or more, Margaret did eventually escape Edward's obsessive hold, defying her father to marry and live with the man she truly loved.
In this satisfying novel Kate Forsyth does not shy away from the culture
of drink and opiates that pervaded this artistic group. She shows the
heartbreak of the women who are now enshrined in works of art but, who, within
constrictions of their time were often deemed as unconventional, or ‘fallen’ in
a morally rigid society where anything the least bit free or decadent was frowned
upon.
Meticulously written and researched this novel is a gripping read.
Compelling, also heartbreaking. A must for every fan of the Pre-Raphaelites, and those they loved.
For more about Kate and Beauty in Thorns, you can find her author website here.
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